The historic Art Nouveau building, in which the gastrobar opened, once belonged to Princess O.A. Turkestanova, and its original layout with large windows more than five meters high, illuminating the entire two-level space, became an indisputable advantage. “Our main task was to create a bright, memorable interior, comfortable for the guests of the establishment,” says Anastasia. Our space should provide guests with opportunities for quiet communication with each other and push for new acquaintances. ” It was decided to divide the restaurant into two parts. The main element of the first hall is a table connected to the bar where guests can decide on a drink and order it right there.Thanks to high ceilings and a spacious balcony, this room can also be used for private events. From the balcony, by the way, overlooks the huge circular ceiling lights, created specifically for this project. In the second hall with a soft landing and a muffled light chamber atmosphere reigns. In the design of one of the walls, custom-made 3D panels were used, and mirrors along the walls created the effect of expanded space, adding lightness and light. “Since the space had many features and required a competent layout, where every millimeter was important, we created sketches ourselves and made custom-made furniture. The only detail that we purchased for the decor of the place was the monkey Seletti, ”said Anastasia.Sapiens has its own ironic art object: five figures that demonstrate the gradual development of man, from Pithecanthropus to Homo sapiens, are painted on the wall along the steps of the stairs in the second hall.
历史悠久的Art Nouveau曾是O.A. Turkestanova公主的美食吧,它原本的布局有五米多高的大窗户,照亮了整个两层空间,成为无可争议的优势。
Anastasia说:“我们的主要任务是为酒店的客人创造一个明亮、难忘、舒适的室内环境。”我们的空间应该为客人提供彼此安静交流的机会,并为认识新朋友提供机会。
决定把餐馆分成两部分。第一个大厅的主要元素是一张与吧台相连的桌子,客人可以在这里选择饮料并点单。由于高天花板和宽敞的阳台,这个房间也可以用于私人活动。顺便说一下,从阳台上可以俯瞰巨大的圆形天花板灯,这是专为这个项目设计的。第二个大厅是软梯,灯光柔和,气氛沉闷。在其中一面墙的设计中,使用了定制的3D面板,墙壁上的镜子创造了扩大空间的效果,增加了亮度和光线。
“因为这个空间有很多特点,需要一个称职的布局,每一毫米都很重要,所以我们自己绘制草图,定制家具。”设计师表示,我们为这个地方的装饰购买的唯一细节是猴子Seletti。”《智人》也有自己颇具讽刺意味的艺术对象:在第二堂楼梯的台阶上,墙上画着五个人,他们展示了人类是从猿人到智人逐渐发展。
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